Although the main core of my workflow has drifted back to MediaPro, I still tinker with Aperture and Lightroom. I’ve stopped importing my DNG files into them but, somewhat perversely, I do still import my finished derivative files. This lets me play with things like slideshows and book generation without worrying about the conversion issues for my DNG files (in the case of Aperture).
As Apple release Aperture 2.0 this morning, I thought I’d download the trial version and play with it. There was a new feature (out of the 100 they list) that brought a smile to my face:
Aperture 2 lets you â€œforce-reconnectâ€ images in the Managed Referenced Files window. Reconnecting to master images on a different drive is normally restricted to files that match in name, size, or date. If for any reason these attributes change in a way that makes normal reconnection impossible, you can hold down the Option key to force Aperture to reconnect to your masters.
Woo! This fixes a particularly stoopid gotcha in Aperture 1.5 – if you import images as referenced masters and then modify the metadata in the referenced master (say, using MediaPro to sync back a change), Aperture refuses to re-connect to the modified file. This is particularly frustrating and rendered Aperture useless for maintaining a shadow library of images that had externally managed files. At least now, I can force Aperture to reconnect against it’s better judgement.
Another new feature is long overdue too.
Duplicate detection on import
Click the new â€œDo not import duplicatesâ€ checkbox in the Import window, and Aperture suppresses the import of images already in the library.
That’s right. Aperture finally will do duplicate checking. Even better, the duplicate option shows up in the Import Automator action. I’m sure neither of these additions will get much press as they’re not that sexy but they really make a difference to the usability of Aperture. The eye candy is nice (and the simplified interface is an improvement) but it’s the small stuff like this that matters.
So a big “thank you!” to the Aperture development team for these additions.